Mikki Noroila, Timon Mikki

Mikki Noroila (they/them) works works between image, sound, and text through moving image. Noroila's recent works draw on their Viena Karelian family histories to explore the legacy of Karelianism — a Finnish national romantic movement that imagined Karelia as the source of "the original Finnish culture."

Selected Moving Image
Kultalähe (2026)
Yritin šuaha hänet kuvah onnakko hiän kato (2024)

Selected Sound Design
SOFA (2023)
UNDERTONE Creative Associations: Traces of Imminence (2022)
Blaue Frau: RÄDSLOMÄSSA 
(2018)
TRACK: Human Resource 
(2018)

Currently
Saastamoinen Foundation & Uniarts Helsinki’s Academy of Fine Arts’ International Mentoring Programme 2026-2027

Upcoming
Group exhibition Karelian Contemporaries at Malva, Lahti 11.12.2026 – 2.5.2027.


 

About
mikki.noroila@gmail.com
CV

© 2026 Mikki Noroila
All rights reserved. 

Šulauvunnašta ta erošta (2022)

BFA degree work at the Uniarts Helsinki’s Academy of Fine Arts‘ BFA Exhibition 2022.
6min, HD-video, stereo 

Šulauvunnasta ta erošta is an episode from a video work-in-progress, in which I examine the historical and contemporary effect of the discourse of Karelianist-Orientalism on the Viena Karelian village of Rimpi from the perspective of the body and family histories. Rimpi is one of the three Viena Karelian villages located within the borders of the Finnish state.

The founder of the village, Rimmin Ul’l’aška, who was my great-great-great-great-great grandfather, was the live model for the role of Väinämöinen in the second version of Akseli Gallen-Kallela’s Aino-triptych (1891). The painting is probably the best-known visual reference point of Karelianist art.

In the work I focus on the descendants of Ul’l’aška's Vasili's Outi's, and my grandfather’s photo archive.